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I know how to say 'scheisse' thanks to Matthias (Schweighöfer). What was it like to be part of such an incredibly diverse cast that included Dave Bautista, Omari Hardwick, Ana de la Reguera, Hiroyuki Sanada, and Raúl Castillo? Interesting stuff can come out of your choices.' And, I think this is where the arts get interesting when you - you're not afraid to ridicule yourself. Meaning that we could really try things out and, you know, ridicule ourselves. Yeah, I love the idea that there's no such thing as mistakes and failure with Zack. The camera was following the actor and he was operating the camera as well. He let us improvise - no marks on the ground. How was working on a big budget action film with Snyder, a veteran of the genre. It was seeing a fantasy come to life - a fantasy I’ve been carrying around for a decade.Zack Snyder's Justice League Spoilers: Death, Babies and An Apocalyptic New Ending But once the makeup was done and the wig was on, it was incredible. “I knew Ana’s face, and there were a lot of similarities. “I knew she looked like her,” Dominik tells Tudum. She was channeling Marilyn Monroe to the point that I went home feeling this sense of joy and privilege of working with Marilyn Monroe.” “I have worked for a long time and I don’t know how often I can recall that another actor transported me to another place in time so that I was thinking about it on the ride home. “I can’t really shake it,” co-star Adrien Brody, who plays The Playwright, tells Tudum.

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Many of the cast and crew who worked on Blonde have a similar story about the first time they witnessed de Armas in full costume, hair and makeup. “The key to transforming Ana into Marilyn putting that blond wig onto Ana and seeing her with the makeup,” McIntosh says. Mimicking the star’s hair evolution over the course of her lifetime, McIntosh created multiple iterations of the film’s titular shade, from strawberry blond to bleached platinum. Things really came together once the wigs entered the picture. “At the end of the makeup process, that was kind of the cherry on top. Still, there was one step that was hers alone. She has this quality that she’s incandescent. ( Some Like It Hot and The Prince and the Showgirl are tied as de Armas’ favorite Monroe performances: “She is hilarious and so effortless.

To achieve that metamorphosis, de Armas spent up to three hours a day during the film’s 47-day shoot in hair and makeup being turned into Norma Jeane, while Monroe’s real movies played in the background. Step 2) Physically re-create the moment on screen in excruciating detail. Step 1) Peel back the emotional layers to reveal the deeper truth of Norma’s experience. Dominik, who’s been working on the project for over a decade, created a “reference bible,” clocking in at hundreds of pages and filled with photos meticulously documenting Monroe’s image at various stages of her career and public persona. Nearly every scene in the film is inspired by an existing visual reference, de Armas says. In order to breathe new meaning into famous moments, you first have to bring them to life. It’s going through all these images that we have so integrated and memorized and giving them a whole different meaning, reinterpreting what was going on for her.” “What’s interesting was deconstructing that character of Marilyn Monroe and talking about the woman that she was and what she was feeling when those iconic moments were happening,” de Armas says.

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Like the novel, Blonde is filled with nods to Monroe’s most recognizable movie moments, from her rendition of “Diamonds Are a Girl’s Best Friend” in a shocking pink gown for 1953’s Gentlemen Prefer Blondes to the now iconic subway grate moment in 1955’s The Seven Year Itch. That’s not to say audiences won’t recognize the woman at the center of it all.

Her manager Steve Sauer confirmed to CNN that she passed on Wednesday morning in Los Angeles after a brief illness. Ana de Armas re-creates Marilyn Monroe’s iconic subway grate scene from The Seven Year Itch in Blonde. Actress Raquel Welch passed away on February 15, 2023.